The image of the Turk and oriental discourse in panait istrati’s Kyra Kyralina and Ivo Andrić’s the bridge on the drina

dc.authorid0000-0002-2489-8607
dc.contributor.authorTalay, Haluk İhsan
dc.contributor.editorGriffith, James
dc.date.accessioned2025-10-07T13:01:41Z
dc.date.available2025-10-07T13:01:41Z
dc.date.issued2024
dc.departmentFakülteler, İktisadi, İdari ve Sosyal Bilimler Fakültesi, İngiliz Dili ve Edebiyatı Bölümü
dc.description.abstractIn its historical context, the image of the Turk—which presents itself along with the histories, memories and stories throughout Central Europe as well as the Balkans— evolved significantly, owing much to the fact that these regions were and still are inhabited by people of various ethnicities, religions, and cultural structures, and were often focal points of crucial political changes and social developments, including the emergence of the Muslim population amongst the native Orthodox population of the Balkans. Kyra Kyralina and The Bridge on the Drina are works that focus on the condi tion of the Balkans, a region ruled by numerous empires, while using the both histori cal and mythological image of the Turk. This chapter aims to analyze and criticize the stories and memories in these works, specifically in the light of Andre Gingrich’s theory of frontier Orientalism, which largely focuses on the Orientalism observed and understood by the people who are/ were members of the nations placed between and on the borders of the Occident and the Orient. Additionally, this chapter will compare and contrast the different perspec tives on and ideas of the image of the Turk in the novels while analyzing the frontier condition represented by the themes and characters of the works. This image (and the differences between its variations) is emphasized and underlined within the scope of Joep Leerssen’s Imagology and MacMillan’s Images of the Turk in Europe. As is the case with most cultural images, the image of the Turk varies significantly, both in Kyra Kyralina and The Bridge on the Drina.
dc.identifier.citationTalay, H. İ. (2024). The image of the Turk and oriental discourse in panait istrati’s Kyra Kyralina and Ivo Andrić’s the bridge on the drina. J. Griffith (Ed.), Stories and Memories, Memories and Histories, pp. 75-89. https://doi.org/10.1163/9789004713338_006
dc.identifier.doi10.1163/9789004713338_006
dc.identifier.endpage89
dc.identifier.isbn9789004713338
dc.identifier.scopus2-s2.0-85215298051
dc.identifier.scopusqualityQ4
dc.identifier.startpage75
dc.identifier.urihttps://doi.org/10.1163/9789004713338_006
dc.identifier.urihttps://hdl.handle.net/20.500.13055/1127
dc.indekslendigikaynakScopus
dc.institutionauthorTalay, Haluk İhsan
dc.institutionauthorid0000-0002-2489-8607
dc.language.isoen
dc.publisherBrill
dc.relation.ispartofStories and Memories, Memories and Histories
dc.relation.publicationcategoryKitap Bölümü - Uluslararası
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.subjectOrientalism
dc.subjectImagology
dc.subjectBalkans
dc.subjectTurkish
dc.subjectMemories
dc.subjectHistories
dc.titleThe image of the Turk and oriental discourse in panait istrati’s Kyra Kyralina and Ivo Andrić’s the bridge on the drina
dc.typeBook Chapter
dspace.entity.typePublication

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